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Come arrivare
沿着SS 130公路向阿塞米尼方向行驶9.2公里，进入撒丁岛大街和卡利亚里大街随后通过普林西比迪皮埃蒙特，驶入圣伯多禄广场，在那里坐落着教堂。
周边环境
该镇位于圣茱莉亚平原，介于奇克塞里河与符箓米尼河之间。
简介
埃塞米尼教区的圣彼得教堂充分展示了哥特式建筑风格，更烘托出撒丁岛南部的风情万种。
教会源于圣雅各福在维拉诺瓦的卡利亚里，文献中对其的记载可以追溯到1346年教区的模式，重建于15世纪晚期呈哥特式风格，1438年和1442年之间的证明建造了钟楼。其（特征为方形钟楼，存在的正面的一侧有一台马刺斜，四边形圣坛为单殿堂，坐落在教堂侧面）教区阿塞米尼包含了所有的建筑元素。教堂外墙的平边四面楚歌，尖尖的门口，上面的一个大型的开放式广场灯代替了原来的魔环。前景桥墩倾斜，其功能为平衡作用，由第一湾施加推力。方形钟楼上方分为四个层次，是撒丁岛最高的钟楼之一。
内部分为一个大殿和具有深度的小殿堂。其中这些小殿堂被打开时，在不同的时间，作为小礼拜堂使用，第四个小殿堂坐落在右侧，大殿为礼拜用堂，教堂的耳堂不太深的教堂与建筑物的主体连接位于第二个教堂上的南部并被分成两个托架。目前还没有文件或铭文记载本建筑，教堂原始开放的不同阶段的精确年表，以及修复历程，目前我们只能通过风格而进行推测和判断。
最初的建筑工程深为，包括立面，钟楼（十八世纪）和大殿的支撑拱建造的两个时期分别为十五世纪末和十六世纪初之间。教堂，虽然建造于不同的时间，均建于16世纪，这就造成了卡皮亚（现与大殿为同样的宽度和教室的高度），并加入耳堂予以改造，可追溯至十六世纪的晚期. 包括不同的解决方案，解决了大腹股沟拱顶与宝石垂，不同的小殿堂拥有桶形穹窿。
历史研究
通过考古学家雷娜塔塞拉的研究证明，教堂为弗朗西斯 桑托斯和纱丽晚期的哥特式建筑，并受到文艺复兴时期（1994年）建筑风格的影响。（1994年）。
参考文献
G. Spano, "Antichità cristiane d'Assemini阿塞米尼基督教文物", in [i]Bullettino Archeologico Sardo撒丁岛考古公告[/i], VII, 1861, pp. 133-139.
R. Serra, "Le parrocchiali di Assemini, Sestu e Settimo San Pietro. Note per una storia dell'architettura tardogotica in Sardegna阿塞米尼塞斯图和第七圣彼得教区。撒丁岛晚期哥特式建筑的历史记载", in [i]Atti del XIII congresso di storia dell'architettura. Sardegna第十三届撒丁岛考古会议[/i], I, Roma, 1966, pp. 225-243.
R. Serra, "L'architettura sardo-catalana撒丁岛-卡塔尼亚建筑", in [i]I Catalani in Sardegna[/i], a cura di J. Carbonell-F. Manconi, Cinisello Balsamo, Silvana, 1984, pp. 125-154.
A.M. Lecca, "La chiesa di S. Pietro圣彼得教堂", in [i]Assemini. Storia e società[/i], a cura di G. Sorgia, Assemini, Comune di Assemini, 1986, pp. 143-156.
F. Segni Pulvirenti-A. Sari, [i]Architettura tardogotica e d'influsso rinascimentale桑托斯纱丽，[中]晚期哥特式建筑以及文艺复兴的影响[/i], collana "Storia dell'arte in Sardegna", 撒丁岛文艺历史系列Nuoro, Ilisso, 1994, sch. 10.
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